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The camera cuts back and forth between The Martins and Gaither, occasionally taking in the four of them in a wide shot. Is Joyce Martin of the Martins Gospel group divorced? - Answers Kim Hopper, Joyce Martin Sanders, Shane McConnell - YouTube A notable elision in this storyand it points to more general (mis)understandings about the Gaithers's personaeis the role of Gloria Gaither. Marquee ensemble singers who once would have driven a group's fame and success today leave ensemble work and go solo to cut costs and stay viable.35Examples of changes and shifts within professional southern gospel since 1990 include the disbanding of numerous groups as well as the retirements and deaths of many of the mid-twentieth century singers who anchored the genre's golden era. "63Emphasis added. This essay is interested in how the imagining of a place shapes and is shaped by understandings of vernacular sacred music and the shifting identities this music contains. Joyce Martin Sanders | BetterTogether.tv Grammy.com, July 3, 2013, accessed October 1, 2013, http://www.grammy.com/blogs/andy-griffith-dies. The core of this essay began as a conference paper for the 2013 conference of the Society for American Music. The basic details provided here derive largely from The Martins's disclosures on stage, press coverage, conservations I have had with industry professionals, and my experience. This model "avoided conventional church approaches, using . For an extended discussion of "southern gospel" see, Douglas Harrison. Trey is 20 and lives and works in Nashville only a few miles from his mom. Still, the cultivation and creation of twentieth-century commercial black gospel's golden age (19451960) was largely rooted in Chicago, Philadelphia, and other urban centers in the Midwest and Northeast where many black southerners moved during the Great Migration. From Arkansas with Love: Evangelical Crisis Management and Southern By leveraging anxieties about cultural authenticity and relevance roiling conservative evangelical and fundamentalist culture, Homecoming creates "a musical screen onto which people from a wide range of Christian cultural traditions within the American middle class can project their own religious concerns and spiritual aspirations. It is in this tradition of pietistic, blood-bought, soul-saving, life-giving harmony of the one true way to Christ that The Martins were raised and trained. Even though I do not have a better name for it, I remain deeply ambivalent about "northern urban gospel." However, a 1993 appearance on the Gaither Homecoming series helped transform The Martins from an avocational regional trio into a professional act with a national following in fundamentalist Christian entertainment. These two tropesinnocence and prodigious talentinteracting with the publically retold stories of their backcountry upbringing, suggest an authenticity that speaks across generations, professional accomplishment, and even the cynicizing forces of the entertainment business.53A notable elision in this storyand it points to more general (mis)understandings about the Gaithers's personaeis the role of Gloria Gaither. Douglas Harrison is Associate Professor of English and Assistant Director of the Center for Faculty Innovation at James Madison University. Interestingly, Willow Creek leaders published a study conducted by the church in 2008 that indicated the seeker-sensitive model did not reliably lead to consistently reported levels of spiritual development or maturity among those who were attracted to the church by its seeker sensitivity (Greg Hawkins and Cally Parkinson, Reveal: Where Are You? . And both black and white gospel have "borrowed those aspects, reinterpreting them for their own cultures" and purposes. This essay is interested primarily with professional southern gospel, which descends from convention singing but has been distinct from it since the 1930s and 1940s. Compact Disc. In the final decades of the twentieth century, these disagreements opened up a fault line between southern gospel and CCM, with each camp pursuing styles of music that implied divergent theories of musical evangelism. Family, friend, or fan, this family history biography is for you to remember Joyce E. (Sanders) Martin. He just finished getting a tech degree in musical engineering. The camera cuts back and forth between The Martins and Gaither, occasionally taking in the four of them in a wide shot. In the early 1990s, two sisters and their brother, Judy, Joyce, and Jonathan, then in their late teens and performing as The Martins, began appearing with the Gaither Homecoming Friends. "61Anthony Harkins, Hillbilly: A Cultural History of an American Icon (New York: Oxford University Press, 2003), 7. tippy('#footnote_plugin_tooltip_1524_1_61', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_61').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Yet many of the white, conservative, and fundamentalist Christian consumers who are the target audience for this kind of Christian entertainment merchandise may well see something quite different. "Andy Griffith Dies." 33 Southern gospel product sales Bill Clinton's presidential campaign used the Traveler name and image as a way to strengthen his populist appeal running against a Washington insider. Joyce Martin is a well known gospel singer. See Robert K. Whalen, "Premillennialism,". Black gospel draws heavily on southern lifeways, many of its biggest stars have been from the South, and it has always found a good portion of its audience there. The Martins initially auditioned for Gaither in 1992; the video on which they appeared was not officially released until 1993. tippy('#footnote_plugin_tooltip_1524_1_52', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_52').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The Martins's insistence upon their childlike wondermentthen and nowat the improbability of the audition's circumstances is overlaid with the immediately recognizable nature of The Martins's talent by music industry veterans. Recording companies experienced similar contractions. The Gospel Music Association (GMA), Christian music's umbrella professional organization that administers the Dove Awards (Christian Music's Grammys), classifies this type of black Christian music as "traditional gospel," as distinct from "contemporary gospel," which encompasses black gospel in the style of mainstream R&B. The siblings all lived most of their formative years in Arkansas, where they learned to sing and with which their comments in public indicate a strong identification. Updated: June 20, 2015 Biography ID: 102744141 At face value, much of The Martins's stylistically hybridized and contemporary music would seem to commit many of the very musical sins that southern gospel culture has long cited as justification for disparaging most other major forms of Christian music entertainment (except, perhaps, bluegrass).47The history and role of bluegrass, old-time, and mountain musics, particularly songs with pietistic lyrics that have found a home in southern gospel, is understudied. See Harrison, Then Sings My Soul, 75180. Clearly this story of The Martins's beginning as Homecoming Friends is important to them because they are depicted in the narrative as so natively talented that Bill Gaither purportedly allows them to perform without ever having himself auditioned them. Donations to Trinity Broadcasting Network are Tax Deductible to the extent permitted by law. These were "places so divorced from the frenzied modernization of twentieth-century America" that they presented an easily caricatured type from which to generalize about the state as a whole.59Ibid., 516, 67. tippy('#footnote_plugin_tooltip_1524_1_59', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_59').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The conflation of The Martins's southern Arkansas bayou background with upstate Ozark hillbillyism emerges through the rhetoric of Bill Gaither as host and interlocutor. Bill Gaither, Tallahassee, Florida, 2006. Faithful to the cause | | newspressnow.com Except [we didn't] know where to go, all the rooms were locked, too much going on in the auditorium, so Mark suggests we go into the bathroom. Trinity Broadcasting Network is the D.B.A. of Trinity Christian Center of Santa Ana Inc., a California religious non-profit corporation holding 501(C)(3) status with the Internal Revenue Service. For an extended discussion of the psychodynamics of southern gospel, see ibid., 149. To see the King. See ". tippy('#footnote_plugin_tooltip_1524_1_24', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_24').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); If much of CCM musically enciphers the aspirations of evangelicalism's dominant demographicsuburban, white, seeker-centered25"Seeker" sensitive models of congregational development and worship emerged in the 1970s and 1980s as part of the so-called church-growth movement, an organized effort to expand church membership and participation beyond traditional populations. Since at least the late 1970s, southern gospel's fortunes, measured by market standards, have trended downward, a decline attributed to broader trends within commercial Christian music entertainment and more broadly within fundamentalist and evangelical Protestantism.As the fortunes of southern gospel have declined, those of Contemporary Christian Music (CCM) have risen. In this way, CCM musicalized the desires of many conservative Christians to perceive themselves as culturally relevant.23David Stowe, No Sympathy For the Devil: Christian Pop Music and the Transformation of American Evangelicalism (Chapel Hill: University of North Carolina Press, 2011) notes that the poly-generic style that defined the emergence of CCM in the 1980s was linked with the politicization of Christian music as part of the broader mobilization of evangelicals and social conservatives (246248). The conversation encourages audiences to understand The Martins's music as a cultural practice connected to the Arkansas backcountry. Lord, let it be so, not just a dream. The most prominent, From Arkansas With Love, is full of original material, almost all written by Joyce Martin. Jonathan Martin lives in West Des Moines, Iowa with his wife, and their six children, including twin boys, one of which has cerebral palsy. All Rights Reserved. As one of three sibling members of the gospel group The Martins, she travels all over the place getting to do the thing she loves. See Harrison, Then Sings My Soul, 13. . "62 Bethany Moreton, To Serve God and Wal-Mart (Cambridge: Harvard University Press, 2009), 5. tippy('#footnote_plugin_tooltip_1524_1_62', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_62').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The gestalt of Arkansas rusticity associated with The Martins serves to understand their sophisticated harmonies. This dynamic was captured in the 2014 Grammys. Dayton offers an alternative account of "evangelicalism," emphasizing the rise of Pentecostalism and holiness traditions, which, as Jonathan Dodrill notes, "do not seem so bent to ward off liberalism." Bill never comes out into the foyer but Gloria does. Southern gospel denotes "an overlapping, commercialized national network of musical products, professionals, and their fans, commonly referred to as 'the industry'" (Harrison, Then Sings My Soul, 45). . Stephen Marini has provided the most sustained interpretive examination of bluegrass families in southern gospel: Sacred Song in America: Religion, Music, and Public Culture (UrbanaChampaign: University of Illinois Press, 2003), 296320. Many southern gospel performers and groups incorporate covers of traditional black gospel songs and spirituals into their repertoire. He just finished getting a tech degree in musical engineering. She released her . Black gospel draws heavily on southern lifeways, many of its biggest stars have been from the South, and it has always found a good portion of its audience there. (2004) as Soundtrack Skip to My Lou (1941) 1 (2008): 2758. tippy('#footnote_plugin_tooltip_1524_1_37', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_37').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); On the surface, these indicators suggest the clear shift in tastes within Christian music entertainment away from southern gospel's preference for close harmony sung in the ensemble. They live in Nashville and have two children (Martin Sanders was married previously to Harrie McCullough, with whom he had a child). The. For more on southern gospel's shift within Christian entertainment from a "dominant" to a "residual" status, see Harrison, "Seeker" sensitive models of congregational development and worship emerged in the 1970s and 1980s as part of the so-called church-growth movement, an organized effort to expand church membership and participation beyond traditional populations. The videos still air regularly on many local-access religious television channels, but sales today are largely driven through merchandizing at concerts, the Gaither, "Gospel hymns" refer to a repertoire of American sacred songs that "first appeared in religious revivals during the 1850s, but which flourished with the urban revivalism that arose in the English-speaking world in the last third of the nineteenth century and continued into the twentieth century." "Place" signifies a physical location, a material culture, a set of affiliated social relations, and more nebulous meanings associated with place as a concept. Audiocassette. A fan's review of The Best of The Martins video on Amazon.com captures this dynamic succinctly: "I wouldn't consider the Martins southern gospel," the reviewer writes, "as their sound is more contemporary but they have a love of the Lord and that comes across strong in their work and their lives. Joyce Martin-Sanders - IMDb Media releases promoting The Martins tout this diversity and eclecticism. Goff, Close Harmony, 264282, traces these and other important bluegrass groups in southern history. Southern gospel's negotiation of them has often manifested in overt racism or a way of thinking, talking, and singing that renders whiteness falsely normative. In cultural geography, "sense of place" refers to the feelings and emotions a place evokes and that help constitute it.14Tim Cresswell, Place: A Short Introduction (London: Wiley-Blackwell, 2004), 169. tippy('#footnote_plugin_tooltip_1524_1_14', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_14').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); More than just feelings or emotions, such sense of place encompasses perceptions, assumptions, and habits of thought and behavior of people who are part of a place. tippy('#footnote_plugin_tooltip_1524_1_35', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_35').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The National Quartet Convention, southern gospel's annual flagship event that at its height in the mid-1990s drew crowds approaching 25,000 for four or five nights in a row, no longer attracts audiences or interest to warrant multiyear leases with the Kentucky Fair and Expo Center in Louisville. tippy('#footnote_plugin_tooltip_1524_1_3', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_3').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The seven-shape notational system (and culture) of songwriting, singing, and music education that took root in the southern uplands in the late 1800s has heavily influenced the music of southern gospel and its values.4Here, following Loyal Jones, "Southern Uplands" designates the regions and people of trans-Appalachia and extends eastward into the Piedmont and westward to the Ozarks. Joyce Martin Sanders (b. January 6, 1968) lives in Nashville, Tennessee with her husband Paul, and she has two children. tippy('#footnote_plugin_tooltip_1524_1_47', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_47').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Yet The Martins remain beloved members of the Homecoming cast and reputational avatars of gospel traditionalism carried on in the music of a new generation of songbirds. For the past forty years or so, "southern gospel" has named a professional musical style associated with white fundamentalists and evangelicals in the US South.1For an extended discussion of "southern gospel" see, Douglas Harrison, Then Sings My Soul: The Culture of Southern Gospel Music (UrbanaChampaign: University of Illinois Press, 2012), 25, 80109. Joyce Rogers. For branding of the natural state, see Arkansas.com, Arkansas Department of Parks and Tourism, accessed October 15, 2013, http://www.arkansas.com. The Martins singand their fans enjoya fairly broad range of musical styles and an innovative pastiche of old and new that is often indistinguishable from some of the very CCM sounds southern gospel has long denounced as immoral and worldly. Joyce Martin Sanders biography | Last.fm It is difficult to lend much credence to this account unless Gloria Gaither's opinion and judgment plays a much more determinative role in the Gaither image and Homecoming productions than is generally allowed or assumed. Fortunately, new and forthcoming work in the study of southern gospel is beginning to scrutinize Gloria Gaither's role as a Christian entrepreneur, thinker, and writer much more closely. In addition to being the vehicle through which The Martins received fame, Homecoming marked an epochal shift in the reception and self-concept of southern gospel. CCM emerged as the musical avatar of those conservative evangelicals who believed it was a mistake for Christians to concede entire swaths of popular culture to secular tastes and values in the name of resisting worldliness and impiety. I have in mind the period in American conservative and fundamentalist evangelicalism inaugurated by Richard Nixon's conjuring of the ", 1990 coincides roughly with the emergence of what would become the, Within southern gospel, "CCM" designates nearly all other forms of commercial Christian music deemed insufficiently pious or overly commercialized (marketed in ways different from southern gospel). When Gaither says, "You can take them anywhere," he seems to mean that in his role as producer and impresario he can rely on The Martins to stand and deliver whatever the show demands. Through southern gospel, participants "develop the capacity to think and act as modern pluralists or situational relativists when necessary, while retaining their identification with antimodern religious traditions that notionally believe in timeless, unchanging absolutes. Their mix of rustic piety and sophisticated harmonizing (in The Best of video, much is made of their performance with the Homecoming Friends at Carnegie Hall) gives audiences powerful, palpable reassurance that despite shifts in taste, technology, and demographics of Christian entertainment during the past three decades, southern gospel music and values are thriving and persevering in the youthful artistry and rustic ethos of normatively white, middle class, evangelical traditionalism embodied in artists such as The Martins. Joyce Martin-Sanders is known for Gaither's Pond (1997). It emphasizes the unfolding of God's dealings with humanity in phases or eras ("dispensations"). This dynamic was captured in the 2014 Grammys. For a fuller discussion of "southern" as a racial signifier and readings of race and white gospel see Harrison, Then Sings My Soul, 96103. The Martins appear to possess an unadorned, God-given popularity that abides in their embodiment of white tradition and progress. Still, the cultivation and creation of twentieth-century commercial black gospel's golden age (19451960) was largely rooted in Chicago, Philadelphia, and other urban centers in the Midwest and Northeast where many black southerners moved during the Great Migration. Christ's return coincides with the rapture of living Christians and the raising of the righteous dead to heaven. Again: Continuing the Debate between Donald Dayton and George Marsden," in The Continued Relevance of Wesleyan Theology: Essays in Honor of Laurence Wood, ed. Another person named Martin P. Joyce was a judge who passed away in October of 2013.. See "Music Album Sales in the United States in 2012, by Genre,"Statistica.com, 2012, accessed January 28, 2014, http://www.statista.com/statistics/188910/us-music-album-sales-by-genre-2010/; Natalie Gillespie, "Gospel Music Sees Record-Setting RIAA Numbers," CCM Update, March 29, 1999; and Lindy Warren, "Top 15 Impact-Makers in 1997," CCM Update, December 22, 1997. The video cuts from the Hawaiian excerpt back to the homey interview setting. ", References to Bennett's birthplace in Strawberry, Arkansas, were staples of Cathedrals concerts, several of which I attended, in the 1980s and 1990s. Its primitive construction and the faded color photo intensify the contrast between rustic lifeways and the warmly lit, generously appointed, and contemporarily decorated set in which The Martins appear comfortable, coiffed, and professionally poised. [5] Jonathan Martin (b. Bill Gaither sighs contentedly, then adopts an avuncular, lightheartedly admonishing tone, commenting that The Martins had only sung the first verse and indicating, as if unplanned, that the trio should "finish it" on the couch at that moment. Representative scholarly studies include Nancy Ammerman, Baptist Battles: Social Change and Religious Conflict in the Southern Baptist Convention (New Brunswick: Rutgers University Press, 2001); Susan Friend Harding, The Book of Jerry Falwell: Fundamentalist Politics and Language (Princeton: Princeton University Press, 2001); Darren Dochuk, From Bible Belt to Sunbelt: Plain-Folk Religion, Grassroots Politics, and the Rise of Evangelical Conservatism (New York: W.W. Norton, 2011); Mark Hulsether, Religion, Culture and Politics in the Twentieth Century United States (New York: Columbia University Press, 2007). The only subgenre of white Christian music that remains relatively strong is Praise and Worship music, whose fortunes have been buoyed by the demand for choruses in non-denominational evangelical churches. UrbanaChampaign: University of Illinois Press, 2012. For discussions of the Traveler trope see "The Arkansas Traveler" entries in the online resources of the Historic Arkansas Museum, accessed October 1, 2013, http://www.arkansas-traveler.org, and on Arkansas.com, Arkansas Department of Parks and Tourism. Directed by Bill Gaither. Movies. Then Sings My Soul: The Culture of Southern Gospel Music. With the dissolution of the "Christian-cultural synthesis," fundamentalists, Noll concludes, "made a virtue of their alienation. It is difficult to lend much credence to this account unless Gloria Gaither's opinion and judgment plays a much more determinative role in the Gaither image and Homecoming productions than is generally allowed or assumed. Singing and songwriting is what Joyce does. The noticeable absence of non-whites in these films, like the assumptions at work in Blevins's account and Gaither video, suggests to the degree to which whiteness remains largely unelucidated as a structuring category of identity, ideology, and religious belief in southern gospel. The southern gospel tradition carries on primarily through the cultivation of a musical sensibility connected to an underlying set of cultural affiliations. Ann Arbor: University of Michigan Press, 2009. Religion Dispatches. Joyce Martin Sanders is listed in the credits for the following albums: Year Artist Album Role ; 2013: Jason Crabb: Love Is Stronger: Guest Vocals : Joyce Martin Sanders. Following the rapture is Tribulation, a seven-year period during which Anti-Christ reigns on earth, Millennium (during which time Satan is bound), and ultimately the establishment and eternal reign of Christ's kingdom. See Shearon, email to H-Southern Music Network mailing list, March 27, 2009. Joyce is married to Paul Sanders, a singer/songwriting musician, currently a member of the country band, Shenandoah where he plays bass and sings harmony. But I'll say this: I've never been more honored to sing about Jesus and for Jesus. "13Harrison, Then Sings My Soul, 103. tippy('#footnote_plugin_tooltip_1524_1_13', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_13').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Consequently, in what follows, "southern gospel" stands as shorthand for professional, commercialized white gospel from, or culturally aligned with, the evangelical fundamentalist South. What started in Hawaii more than a decade earlier ends in Studio A in Andersonville, Indiana, with Gaither presiding as witness to The Martins's musical authenticityby sea, in the studio, (notionally) on command, at home among southern gospel's Homecoming Friends or in faraway lands. "51Harrison, Then Sings My Soul, 5. tippy('#footnote_plugin_tooltip_1524_1_51', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_51').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); As The Martins achieved fame and renown, they did so less because of what and how they sang, and more because of the way in which they have presented themselves and their music, and the way the Gaither Homecoming appropriated them as children of traditional gospel values at a moment when the viability of these values was perceived to be in question. Gaither's remark associates a universality to The Martins, who are legitimated by the origins their music is purported to transcend. Sometimes this includes, Sales of "Christian/Gospel" (which consists overwhelmingly of CCM and black gospel music, but also includes some southern gospel) reached a high point in 1998, totaling $836 million; in 2012, total sales in the same category were $24.2 million. And that was actually the first time Bill heard us sing. Joyce Martin Sanders Weight Loss In essence, we are an agricultural area. Though the publication of "He Leadeth Me" predates the popularization of the term of "gospel hymns" (which is most commonly sourced to Philip P. Bliss's, While David Fillingim argues that "home" as a concept in southern gospel allows its participants to imagine and explore a flight from material hardship and social marginalization in this world (in favor of an eternal home of magnificence in heaven), my research suggests that in southern gospel "home" serves to give concrete, graspable shape to abstract theological concepts and spiritual experiences for ordinary Christians in the here and now. tippy('#footnote_plugin_tooltip_1524_1_15', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_15').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Arkansas has undergone considerable stereotyping in the US imagination.16Brooks Blevins, Arkansas/Arkansaw: How Bear Hunters, Hillbillies, and Good Ole Boys Defined a State (Fayetteville: University of Arkansas Press, 2009), 4. tippy('#footnote_plugin_tooltip_1524_1_16', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_16').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); To speak of an "Arkansas imaginary" in this essay is to conceptualize Arkansas as a siteparticularly among poor and working-class white evangelicals and fundamentalistsfor the practice of religious life, or "lived religion. Researched in the 1990s and published in 2002. That finally holds who You are. Clearly this story of The Martins's beginning as Homecoming Friends is important to them because they are depicted in the narrative as so natively talented that Bill Gaither purportedly allows them to perform without ever having himself auditioned them. Absence of biographical detail about The Martins clears space for the Arkansas imaginary to operate. Everyone sits on risers around a piano and sings: old songs, new songs, gospel songs, hymns, inspirational ballads, spiritual anthems, praise and worship choruses, even a few secular tunes now and then (Bill Withers's "Lean on Me," or an arrangement of Barry Manilow's "One Voice"). Shearon, Stephen, Harry Eskew, James C. Cowney, and Robert Darden. She keeps it real and points the way out of despair with an admonishing heart. Structural Info Filmography Known for movies Saved! The Fan Who Knew Too Much: Aretha Franklin, the Rise of the Soap Opera, Children of the Gospel Church, and Other Meditations. The hottest acts in Christian music appropriated the musical conventions and performance styles of rock, pop, adult contemporary, heavy metal, and later, jazz, R&B, rap, hip-hop, and punk.